Reino Pretérito 


2021
Galería Gachi Prieto
Buenos Aires, Argentina

Link to Review by Maria Carolina Baulo for Sculpture Magazine

For this show, Reino Pretérito, Almirón questions in different ways about the state ‘zero’ of the world’s experience, which is the same as of the art. It is about works that construct an universe which could exists both at the beginning and at the end. For moments she gives a gaze from a distopic future, which already stands out in the present. She is an archaeologist who unravels the stored secrets of a planet on the verge of extinction, collecting fragments and submiting them under sensitive and precise operations of observation. (Link here for full text by Mariana Cerviño)



Timeline as Dispositif
, wallpaper and ceramic, 13 x 4.5 mts
Photo: Lihuel Gonazlez



Photo: Lihuel Gonzalez



Emotional Fatigue Buster, ceramic, rope, 420 × 15 cm
Photo: Bruno Dubner



Photo: Bruno Dubner




Dispositif, casted aluminium, alabaster, 115 × 80 × 67 cm
Photo: Bruno Dubner






Mamma Ray, 2021, epoxi resin, burned wood, 23 × 20 × 22 cm
Photo: Bruno Dubner






Photo: Bruno Dubner





 Stagings, 2013, Inkjet print on Enhanced paper, 100 x 70 cm




 Reino Preterito, Inkjet print on Enhanced paper, 100 x 70 cm





The Back Part of the Days V, 2021, Ecocryl, 108 × 70 × 1.5 cm
Photo: Bruno Dubner



Photo: Bruno Dubner




Photo: Bruno Dubner




Photo: Bruno Dubner





The Back Part of the Days II, 2021, epoxi, 95 x 65 x 2 cm 
Photo: Bruno Dubner



Photo: Bruno Dubner



Photo: Bruno Dubner




The Back Part of the Days VII, 2021, Ecocryl, 95 x 65 x 2 cm 
Photo: Bruno Dubner



Photo: Bruno Dubner




Photo: Bruno Dubner




The Back Part of the Days I, 2021, Ecocryl, 95 x 65 x 2 cm 
Photo: Bruno Dubner




Photo: Bruno Dubner



Photo: Bruno Dubner