⟵
Reino Pretérito
2021
Galería Gachi Prieto
Buenos Aires, Argentina
Link to Review by Maria Carolina Baulo for Sculpture Magazine
For this show, Reino Pretérito, Almirón questions in different ways about the state ‘zero’ of the world’s experience, which is the same as of the art. It is about works that construct an universe which could exists both at the beginning and at the end. For moments she gives a gaze from a distopic future, which already stands out in the present. She is an archaeologist who unravels the stored secrets of a planet on the verge of extinction, collecting fragments and submiting them under sensitive and precise operations of observation. (Link here for full text by Mariana Cerviño)
Timeline as Dispositif, wallpaper and ceramic, 13 x 4.5 mts
Photo: Lihuel Gonazlez
Photo: Lihuel Gonzalez
Emotional Fatigue Buster, ceramic, rope, 420 × 15 cm
Photo: Bruno Dubner
Photo: Bruno Dubner
Dispositif, casted aluminium, alabaster, 115 × 80 × 67 cm
Photo: Bruno Dubner
Mamma Ray, 2021, epoxi resin, burned wood, 23 × 20 × 22 cm
Photo: Bruno Dubner
Photo: Bruno Dubner
Stagings, 2013, Inkjet print on Enhanced paper, 100 x 70 cm
Reino Preterito, Inkjet print on Enhanced paper, 100 x 70 cm
The Back Part of the Days V, 2021, Ecocryl, 108 × 70 × 1.5 cm
Photo: Bruno Dubner
Photo: Bruno Dubner
Photo: Bruno Dubner
Photo: Bruno Dubner
The Back Part of the Days II, 2021, epoxi, 95 x 65 x 2 cm
Photo: Bruno Dubner
Photo: Bruno Dubner
Photo: Bruno Dubner
The Back Part of the Days VII, 2021, Ecocryl, 95 x 65 x 2 cm
Photo: Bruno Dubner
Photo: Bruno Dubner
Photo: Bruno Dubner
The Back Part of the Days I, 2021, Ecocryl, 95 x 65 x 2 cm
Photo: Bruno Dubner
Photo: Bruno Dubner
Photo: Bruno Dubner
⟵